4 Important Considerations to Consider When Reading Jet Essay Samples

4 Important Considerations to Consider When Reading Jet Essay SamplesThere are several considerations to consider when reading the selections of jet essay samples. Although it is not a prerequisite, it is always advisable to read some of these samples in its entirety.First, you should read the samples in its entirety. It will be quite helpful if you have an idea about the topic that is being discussed. You should be able to read some sample essays and see how the topic is covered. Reading samples is important because some essays are quite complicated and may have several aspects to discuss. Read them in order to get a good understanding of the essay.Second, you should also look at the sample essays carefully. There are some samples that may contain a subject that is contrary to your own. The various essays will often cover topics that are very related to your own interests.Third, you should also read the samples based on the expertise level that you have. You can base your choice on your level of expertise and personal interests. Many people with advanced degrees will find the selections very helpful.Lastly, you should look at the sample essays based on your style preference. There are some essays that are more literary than others and some that have many simple phrases while others are based on complex concepts.Another option is to avail of a free ebook on the topic that you are researching. In this manner, you will be able to experience first hand how a certain essay will be written. There are many free ebook sites that will provide the appropriate essays to choose from. These sites generally include essays from various people who have completed these exercises.After reading the sample essays, it is essential to take all the aspects into consideration. The selections of jet essaysamples are recommended for anyone who is interested in writing professionally.

Essay on Development of African American Studies - 1148 Words

Development of African American Studies Scholars have dedicated their time and attention to furthering the discipline of African American Studies and can define the field with many different definitions. Through looking at the origins and development in the study we can see how it became a legitimate academic field. As we study the writings of the African American intellect, it will fully explain the importance of the discipline. Their work will justify the study of cultural and historical experiences of Africans living in Africa or the African Diaspora. When examining the scholar’s arguments we can develop our own intellectually informed rationalization of the field of African American Studies. The intellectual development of†¦show more content†¦The final movement took place at San Francisco State College and was organized by the college’s Black Student Union in 1966. They demanded that Black Studies become a department offered at their school and they were dedicated to achieving it. After two years of strikes, demands, and negotiations the movement was successful and San Francisco State College became the first to offer a Black Studies Program and Department. (Karenga) Scholars in the subject of African American Studies define it many different ways along with a variation of names. Black Studies defined by Maulana Karenga, defined the field as the systematic and critical study of the multidimensional aspects of Black thought and practice in their current and historical unfolding. (Karenga) Robert Harris uses the term Africana Studies and says it is the multidisciplinary analysis of the lives and thought of people of African ancestry on the African continent and throughout the world. (Harris) The focus of the field described by Russell Adams is the experience, problems and the prospects of individuals or groups wherever they may be is Africana. It centers on examining the historical records of Black people in Africa or the western hemisphere. (Adams)Even though there are many ways of titling and describing African American Studies, the overall focus and heart of the field remains the same universally. As Maulana Karenga uses the term social respo nsibility,Show MoreRelatedThe Article Controversial Blackness : The Historical Development Future Trajectory Of African American Studies1462 Words   |  6 Pages The article â€Å"Controversial Blackness: The Historical Development Future Trajectory of African American Studies,† was written by Martha Biondi, a European Associate Professor of African American Studies and History at Northwestern University. Martha Biondi (2011), discusses the trajectory, development, growth, training, history, of African American studies, and the expansion of doctoral programs of African American studies necessary for the future trajectory in that field. The article furtherRead MoreEssay on African American Academic Discipline Studies1305 Words   |  6 PagesThe Origin, Development, and Purpose of Africana Studies as an Academic Discipline Thesis African American Studies is a change agent for the ideology of Black Americans. Black studies as an academic discipline serves to reorient the perspective of African Americans in an effort to regain a sense of pride and cultural identity stolen by white society. 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Bay sayers Essay Example For Students

Bay sayers Essay Up until the last week of April, the Marsh was located in the back room of an artsy little Mission District espresso joint called Cafe Beano. Patrons would walk in off Valencia Street, maybe get a cup of something or a health-foody hunk of pastry from the cafe counter, and head through a narrow door into a space the size of a one-car garage. The seating consisted of several rows of mismatched chairs, mostly dinette-set orphans and garage-sale stragglers. The cramped stage area looked just spacious enough to hold a single performer. A theatre with space for only one actor? No problem: the Marsh, founded in 1989 and managed ever since by a determined young woman named Stephanie Weisman, functions principally as a solo theatrical gymnasium, a haven for one-person shows by San Franciscos small army of storytellers, reconteurs, monologists, stand-up autobiographers and talky performance artists. With no grants from anywhere, scant advertising and only sporadic newspaper reviews, it has presented up to a dozen attractions per weekin progress works by seasoned pros like Corey Fischer, Josh Kornbluth and Merle (Ian Shoales) Kessler, and newcomers like Yehuda H. and Kate Perryto very receptive audiences. The name Marsh, Weisman says, is metaphoricalits where the gook is, and down deep the diamonds. Anyone whos serious about solo work can get into our late-night series, and if theyre good they can go on. Its survival of the fittest without having to eat anyone at the bottom. Recently the Marsh faced a sudden crisis: City building inspectors deemed Cafe Beanos back room unsafe for public assembly and padlocked the place. Without missing a beat, Weisman made a few phone calls, gathered up the chairs and lighting instruments, and with the help of friends moved the Marsh to its fourth location in three years: an empty storefront next door. That same night, the show (Merle Kesslers latest) went on. The resilience of the Marsh offers one signal among many that solo theatre is thriving in San Francisco. At a time when most of the key local repertory companies are struggling with real estate woes, declining government funding, shifts of artistic leadership, or all of the above, the single dramatic voice is being heard loud and clear and relatively unencumbered all over town. This autumn San Franciscos third annual Solor Mio Festival will showcase two dozen solo performers from the Bay Area and beyond. But one could argue that the city is hosting a solo drama festival nonstop. One-person shows dominate the calendar year around at two other popular alternative venues, Life on the Water and the Climate Theatretogether they co-produce Solo Mio and have presented such locally based soloists as John OKeefe, Brenda Wong Aoki, Josh Kornbluth and Susan Van Allen, as well as notable out-of-towners like Spalding Gray, David Cale, Karen Finley and Holly Hughes. Soloists also pop up frequently on many other local stages: at Josies Cabaret and Juice Joint, Brava! Women for the Arts, Footworks Studio, New Langston Arts, the Cowell Theatre, Intersection, 1800 Square Feet, 21 Bernice, and (across the Bay in Berkeley) La Vals, the Julia Morgan Center and 2019 Blake. Bay Area repertory theatres are not ignoring the genre either. Last January, the Asian American Theatre Company hosted Tsunami: The Next Wave in Asian American Performance/Art, a series of one-person shows. Berkeley Repertory Theatre presented a successful run of John OKeefes Vid in 1991, recently premiered Geoff Hoyles solo memoir, The Convict Returns, and has commissioned for its 1992-93 season Mother Jones, a monodrama about the famed labor organizer by singer-actress Ronnie Gilbert. For the many writers, actors, visual artists, jugglers, dancers and yarnspinners interested in pulling together shows of their own, San Francisco is hospitable territory, with an array of ongoing workshops devoted to the solo art. Bill Talen, a performer-writer and co-artistic director of Life on the Water, teaches one; director David Ford, performance artist Nina Wise, and Corey Fischer and his fellow members of A Traveling Jewish Theatre (all of whom have appeared in one-person shows) offer others. Certainly, San Francisco isnt the only city to embrace the recent tidal wave of solo performance. Artists from throughout the country have been attracted to this inexpensive, user-friendly genre, which offers performers maximum aesthetic control and promises the audience maximum intimacy. Experimental venues from Highways in Los Angeles and Sushi in San Diego, to the Walker Art Museum in Minneapolis and the Painted Bride in Philadelphia, have aided and abetted the trend. And for solo artists in search of national breakthrough opportunities, New York leads the way with Dance Theatre Workshop, P.S. 122, Lincoln Center, the Kitchen, the New York Shakespeare Festival and an array of downtown cabarets. But San Francisco seems to have the greatest concentration of theatrical soloists, and one-person drama has a particular municipal resonance. The genre is somehow emblematic of the citys personality, right in sync with its reputation as a haven for zaniness and eccentricity, and as a breedi ng ground for cultural misfits and counterculture experimenters of all stripes. That image of the city dates all the way back to the Gold Rush era of the mid-1800s, when San Francisco went from hamlet to teeming, flamboyant metropolis virtually overnight. It revived in the 1950s, when beatniks Jack Kerouac and Allen Ginsberg were on the scene, flourished again during the phantasmagorical Summer of Love of the late 1960s, and persists today in a lively, youthful bohemia that thrives despite high rents, earthquakes and urban corrosion. In a sense, the city has spent the last 150 years living up to its own mythology of rugged but flashy individualism. Solo theatre artistsa breed which Life on the Waters Bill Talen characterizes as being like Mao in the mountains in a time when our individuality is utterly threatened by media saturationare upholding a regional tradition. It is an apt coincidence that San Franciscos first professional performance, given in 1849, was a solo show by Stephen Massett, a self-promoting New England songwriter, singer, monologist and mimic who barnstormed the globe as Jeems, Pipes of Pipesville. A century later, the city would play a crucial role in the careers of such inspired comedic commentators as Lenny Bruce, Lord Buckley, Lily Tomlin and Robin Williams, all of whom honed their off-center acts in North Beach nightspots. The new crop of soloists in the 1990s are more numerous, more ethnically various and more conciously theatrical and narrative in their approach than those who went before. They are also more aesthetically diverse, representing the great range of impulses that can lead to self-made, singular performances. One of the most influential figures on San Franciscos solo scene, even though he lives in New York, is autobiographical monologist Spalding Gray. Gray first appeared locally at the San Francisco International Theatre Festival in 1981, at an early stage of his solo career. He has returned with a new monologue almost every year since (most recently Monster in a Box, performed at the 1991 Solo Mio Festival) to face an increasingly large and enthusiastic following. Grays unadorned art candid, revelatory and entirely reliant on the direct bond between teller and listenerhas been an inspiration to many San Francisco practitioners. Bill Talen, who began telling stories with a rock band accompanying him, remembers seeing Gray in 1981 and being moved to start the process of taking away elements music, lights, songs, paring things down to just telling the story, making a statement, giving a dramatic report about what you see, what you believe. Thats what Spalding, with his plain table and his little glass of water, is about. He relaxes you out of your alienation. Talen adopted the autobiographical report-from-the-interior mode in American Yoga (about a memorable car accident) and several other well-received monologues. (Hes since moved on to two-person shows, including the award-winning Political Wife, and beyondjoined by pick-up companies of local actors, Talen performed his Apple Pie with George and Jane, a ritualized parody of political fund-raising dinners, at motel banquet rooms across New Hampshire during that states presidential primary.) The psychological memoir format has also richly served many others, including the up-and-coming Josh Kornbluth. Red Diaper Baby, which recalls Kornbluths New York-Jewish-Communist upbringing from a childs perspective, was workshopped over a two-year period at the Marsh and opened in June at the Actors Playhouse Off Broadway following an extended run at New Yorks Second Stage and has recently been optioned for film. Like some other solo spielers, Kornbluth started out in comedy clubs but gravitated toward theatre after he saw Gray perform, and after he moved to San Francisco. In also theatre theres so much more lattitude in what you can do, he explains. Part of it is environmental: In stand-up, the venues range from the toilets to the really nice septic tanks, and the jokes are the excuse to sell drinks. Even the most sophisticated comedians run into a wall, because you cant stretch peoples attention spans and arent allowed to do stuff that makes them uncomfortable. In San Francisco, Kornbluth felt he could stumble around and find a voice, and people would be interested. After Red Diaper Baby (initially titled Josh Kornbluths Daily World) came Haiku Tunnel, based on his experiences as a temp worker in a law firm, and last years The Moisture Seekers, a detailed, poignant account of his sexual initiation at the hands of an older married woman. As a once-if-not-future center of the human-potential movement, San Francisco is perhaps unusually receptive to stage confessions filled with intimate details and psychological revelations. John OKeefe wrote and directed half a dozen fascinating original plays before his solo pieces. Shimmer (about his boyhood experiences on an Iowa youth detention farm) and Vid (about his scuffling days as a Berkeley playwright) brought him genuine local celebrity and gratifying national recognition. OKeefe makes a point of insisting, however, that his monologues are only semi-autobiographicaland that he invents and embroiders his memories generously. (Vid, for instance, entwines two stories: one fantastic, the other realistic.) That creative flexibility helps him avoid one of the pitfalls of the monologue form, and one San Francisco is no stranger to: excruciating over-indulgence in solipsistic self-psychoanalysis. Says Stephanie Weisman, Every now and then I have to tell people, come back with a story to perform and not just a set of experiences. And Kornbluth notes he has learned to embellish a true story from the very first time I tell it. As I start to retell the story more and more, I change the real people its based on more and more, because I want to create a literary arc, like you get from reading a Grace Paley or Bernard Malamud story. The more I fictionalize, the more I feel free. In a city very concious of its ethnic multiplicity, the solo autobiographical monologue has also become an outlet for cultural self-definition and a mechanism for demystifying race and otherness. Bay Area soloists Lane Nishikawa, Wayne Corbett, Emily Shihadeh, Marijo, Albert Greenberg, Marga Gomez and Brenda Wong Aoki, for example, have fused reminiscences with meditations on larger sociological issues. The Aristotelian hacker EssayKali: (Westside whistle) Narrator: I go inside. No Westsiders. The bell rings. In front of me, this white guy. Not like Moorie Goldbaum or Big Mike but really white. Steven: Hi, there! Narrator: Hes handsome. With wavy brown hair and green eyes. Like a Kennedy! Steven: Im Steve Newcomb and his is my girlfriend Sherry. Narrator: Sherrysky blue dress, golden hair. She smiles at me. Brenda: I wanna be her friend. Narrator: Then the teacher walks to the front of the class. Judy: Im Judy, Judy Sloane. But in this class, I hope you call me Judy. Oh! Look at you! Look at you! Youre nervous! Of course! Its your first day of school. Youre sitting here in Lit. 1, the gifted class, thinking, Oh my god! Am I gifted? Dont worry. You are. Now, most of you know each other but theres one person I know you dont know because she just got here. Hai Nyugen from Vietnam. Welcome, Hai! Hai: (With a French accent) In Vietnam, I read Cyrano de Bergerac, Les Miserables, et Madame Bovary. I look forward to reading the literature in your great tongue. Judy: Thank you, Hai. If theres one thing I want us all to learn, its how to live together in peace. (Cross) So this semester were going to study Utopian literature. Utopia. Does anyone know what that means? Tommy? A ride at Disneyland? No. Thats Autopia. Utopia is a place where people live together in harmony. By the end of this semester I want each of you to come up with your own model for a perfect world. Your first reading assignment for the semester: Aldous Huxleys Brave New World. Class dismissed! Brenda? Can I speak to you for a minute, please? Brenda, I think Hai could use a friend. Brenda: Why me? Im not Vietnamese. Judy: But you are Oriental! Put yourself in her place. Youre in a new country. No friends Narrator: So every day, I sat next to Hai trying to dress and talk so that everybody knew I was not like herF.O.B. Fresh Off the Boat. From Vid John Lion invited me to join him at a national conference on Buddhism and the Theatre in Boulder, Colorado, hosted by Chogyam Trungpa, a guru who was one of the major spiritual leaders from Tibet on the run from the Red Chinese. John joked about eating brown rice and sleeping on a straw mat. The major theatres and performers from around the country were to attend. When we arrived at the airport we were greeted by a famous playwright, Jean-Claude van Itallie. At last, I thought, Im going to meet some famous people. I could use some spiritual grounding, too. Things were looking up. When we got to the ashram we were welcomed by a good 250 avid Buddhists. We were treated to a huge feast of Tibetan delicacies. I was gratified to find wine, beer and whiskey in abundance. In no time at all we were becoming inebriated. But still, no guru. People were getting zealous about each other when I heard someone whisper, Hes coming! Two young women came in, one carrying a cushion, the other a small table with a large bottle of sake and a glass. I was seated in the front. Everyone went quiet. A short man with a jack-o-lantern face entered. He had a shriveled arm that dangled lifelessly from him. He sat down on the cushion, the two lovely Buddhist nymphets on either side. One of the girls poured a glass of sake, handed it to him. Trungpa sipped his sake and smiled at us. He welcomed us in a strangely high and innocuous voice. It seemed everything he said had a double meaning. He was welcoming us and yet he was challenging us; he was gracious almost to the point of servility and yet he was our judge. He introduced several members of his staff. They had a kind of gung ho casualness. Suddenly he said, Nowgo dance! Trungpa retired, followed by his handmaidens. The lights were dimmed, the doors in the hall were opened and rock-and-roll music was sent over the speakers. Instantly the acolytes were dancing. The theatre people almost immediately followed suit as if they had read some itinerary that had slipped my attention. I was too drunk to remember much of what followed. There was a lot of making out and screaming and finally several fist fights. The art luminaries seemed enchanted and perplexed with it all, as if perhaps what they were witnessing was some sort of secret Buddhist ritual. The next day, several theatres displayed their wares. Robert Wilson took an hour to walk across the room while a teenaged girl counted from one to ten. The Open Theater performed American Indian chants, shaking big Indian rattles and intoning things in Brooklynese like, We are separate from each other. We should be one! Jerzy Grotowski was supposed to come but he was delayed in Europe having his blood changed. Andre Gregory filled in his slot by taking members of the audience and whispering instructions in their ears, creating a kind of personal mystery play between him and the performers. I was nodding off when a group from California came and improved everybodys dreams. It all ended with a two-hour critique in which they slam-dunked each other unmercifully. Later that night Trungpa gave a lecture. I heard during the dinner break that he had bunged up his arm in a fit of intoxicated inspiration. He thought he could drive his car through the side of a mountain. He tried. It didnt work. After that he switched from Seagrams Seven to sake. From Red Diaper Baby My father, Paul Kornbluth, was a Communist. He believed there was going to be a violent Communist revolution in this countryand that I was going to lead it. Just so you can get a sense of the pressure. And anything my father told me I would believe, because my father was a physically magnificent man: He was big, and he had this great potbellynot a wigly-jiggly, Social Democratic potbelly; a firm, Communist potbelly. If you bopped it, it would bop you back. It was strong. He had powerful legs, from running tract at City College. And he had these beefy arms. And he was nakedvirtually all the time. And all over his body he had these patches of talcum powderyou know, Johnsons Baby PowderI guess, because he was a big man and he would chafe. Particularly around his private parts. He had me on the weekends, and I wouldve liked to have slept in late on the weekends, but I couldnt because my father would wake me up. This is how hed wake me up: Hed come bursting into my room and then hed stop in the doorway; when he stopped, the talcum powder would come bouncing off of his ballsit was like the entrance of a great magician. And then hed come running up to my bed, and looming over me hed sing: Arise ye prisoner of starvation Arise ye wretched of the earth. I didnt know that was the internationale; I didnt know that was the international Communist anthem. I thought it was my own personal wake-up song. Check it out: Arise ye prisoner of starvationits time for breakfast. Arise ye wretched of the earthits five afucking clock in the morning and Im being woken up! And if I didnt show the proper signs of life right away, my father would lean down over meand his graying long hair would straggle down, his beard would flutter down into my noseand hed go, Wake up, Little Fucker! Wake up, Little Fucker! That was his nickname for me: Little Fucker. Nothing at all pejorative about it, as far as my father was concerned. For my dad, calling me Little Fucker was like calling me JuniorBeloved Little One. Little Fucker. I knew from a very early age that one day I must grow up and become a Big Fucker. And I assumed that that would be about the time that I would lead the Revolution. Cause my dad had told me over and over that all of the great revolutionaries were great fuckers. But at this time I was just lying there in my bed, and my father would be looming over me with histo meenormous penis swinging around, spewing smoke, powder, whateverwhile I just had this little, six-year-oldtraining penis. From The Chocolate Quarry I work part time in a slaughter house. I get thereoh, bout 6:50 a.m. |Bout the time when the cattle, thousands of em, are filing out of the boxcars into the plantwhich is basically a concrete box. Black Angus. Real friendly critters, minding their own business as usualjust chewing their hay. No problems. When it comes their time, they walk right into this wooden structure upon which stands a guy with a sledge and a spike (some kinda kosher way of killing, I think it is) and he places the spike and BAMlegs buckle, flop down, dust fly. And let me tell you thats it. I mean that cow isnt quivering or flappin round like a fish or nothin. Were talkin deadWere talkin big-D, little-e, little-a, big-D DeaD. And the next in line doesnt move an inch, its not soundin off or rolling its eyes or wiggling its earsit just walks right up and the guy with the spike and sledge places it at just the right juncture and BAMlegs buckle, flop down, dust flytwo outs bam bam goodby mu moo. And then the gaf co mes down and hooks her under the jowl, hoists her up, shes spinninand then we got this amazing clamper tool clamps up on round her neck and shoulders and rips that hide right off. And then the conveyer brings her to(ta da!)and I take my little knifelike an exactoreal sharp, and make a cut from her neck to her anusand her guts just basically fall right out. And I take my pressure hosecleanin out the cavity. And theres usually some flaps of stuff hanging onto the spine, so I have to get in there and scrape it out. I step insideandlet me tell you when Im inside weve got a totally different story. Its warmI mean out there its cold, gotta be kept at about 43 degrees farenheit for obvious reasons, and it echos. But insideits warm and quietand the colors. The complexity of design. The detailthe silvery membrane and the purple veins and arteries, the red muscle and bone and fat and membrane. Its a phenomenon to behold. And I stay in there as long as I cansometimes I take my knife and cut a fine little slice off the tenderloin and lay it on my tongue and suck on it till it disappers. I mean, this is my own little.And the steam is rising like spirit. Misha Berson is theatre critic for the Seattle Times and a frequent contributor to this magazine.

Julius Ceasar Essays (2007 words) - Julius Caesar, First Triumvirate

Julius Ceasar Julius Ceasar Julius Caesar was said to be the greatest man in the Roman world. Some historians, and among them those of international authority, have made greater claims for him. He was the greatest of the Roman would but of antiquity. Looking through the onlg list of rulers, kings and emperors and the rest, they have failed to find an wuqual of this man who refused the style of king but those name Ceasar has become the commanding majesty and power. Great as a general, great as a politican. Born in 102 B.C., or it may have been tow or three years later, Gaius Julius Caesar, to give him his full name, was of the most ancient and aristocratic lineage. Although he himself, rationalist as he was, must have smiled sometimes at the conceit, there were some who said that he was not only of royal but divine descent, since Venus, the goddess of Love, and married a Trojan prince and so become the mother of the legendary founder of the Julian house. All the same, circumstances and perhaps personal inclinations attached him to the comparatively democratic party. His aunt had married as a youth of seventeen to the daughter of Cinna, another leader of the fraction tht was opposed to the aristocratic party under Sulla, Marius, great rival. A year or two later, when Sulla had become supreme in the state, the young man was ordered to put away his wife. He refused, and his life was saved only through the intercession of powerful friends in Rome. But though he had been reprieved, Ceasar was far from safe, and for a time he skulled in the mountains until he managed to get acrss the sea to Asia Minor, where he served in the Roman army that was campaigning against Mithridates, the king of Pontus. At the seige of Mitylene in 80 B.C. he first distinguished himself as a soldier when he saved the life of a hard-pressed cmrade. On the death of he kept himself at the bar. His politics and made a career for himself at the bar. His political learning were showwn clearly enought, however, when he ventured to act as prosecutor of one of Sulla's principal lieutnants, who was charged with gross extortion and crueltu when he was governor of the Macedonian province. To improve himself in rhetoric, Casear went to Rhodes to take a course of lessons under a celebrated master of that art, and it was probably at about this time that he had his famous encouter with Mediterranean pirates. These rufians captured the ship in which he was a passenger, and put his ransom. While his messenger was away collecting the money, Caesar made himself quite at home with his captors. He told them amusing stories, joked with them, joined in their exercises, and, always in the highest good humor, told laughed and joined in the fun. But Caesar was as good as his word. As soon as his ransom had been paid some over and he regained his liberty, he went to Miletus, hired some warships, and made straight back to the pirates, and ordered them to be crucified as he had assured them that he would. He also got back the money that had benn paid as his ransom. Still on the fringe of the political arena, Caesar spent the next few years as a gay young man about town. His family wasn't rich, but there were plenty of moneylenders who were glad to accommodate him. He spent money like water, on expensive pleasures women particularly, since he was as facinating to them as they were to him and on building up a body of popular support for the time when he might need it. Then in 68 B.C. he got his first official appointment under Government, as a quaestor, which secured him a seat in the Senate, and in 63 B.C. he appointed Pontifex maximus, a position of great dignity and importance in the religion establishment of the Roman State. He was onthe way up, and his rise was furthered by successful administration of a province in Spain. So capable did he prove that in 60 B.C. he was chosen by Rome, to form with him and crassus what is called the 1st Triumvirate. To strengthen the union between himself and Pompey, Caesar gave Pompey his daughter Julia in marriage. Then after a year as Consul, Caesar applied for, and was granted, the proconculship of Gual

5 Parallelism Problems in Sentence Structure

5 Parallelism Problems in Sentence Structure 5 Parallelism Problems in Sentence Structure 5 Parallelism Problems in Sentence Structure By Mark Nichol It’s easy to produce a faultily constructed sentence by neglecting to install all the necessary parts. Each of the sentences below lacks a small but essential component that helps render the statement sturdy and structurally sound; read each discussion for an explanation of the flaw. 1. â€Å"Lifelong interest and enthusiasm for science is instilled through science literacy.† Take the phrase â€Å"and enthusiasm† out of the sentence, and you’re left with â€Å"Lifelong interest for science is instilled through science literacy.† Here, the subject is followed by the wrong preposition. Omit â€Å"and enthusiasm for,† and the result is â€Å"Lifelong interest science is instilled through science literacy.† Now, the subject lacks any preposition. The solution? Each noun in the noun phrase â€Å"interest and enthusiasm† requires its own appropriate preposition: â€Å"Lifelong interest in and enthusiasm for science is instilled through science literacy.† (Depending on emphasis desired, â€Å"and enthusiasm for† may be bracketed by a pair of commas, parentheses, or em dashes but is correct without any interruptive signals.) 2. â€Å"They’re noisy, they’re tiny, weigh fifty pounds, and can be souped up from a speed of thirty-five miles per hour.† Of the four elements in this list, two are preceded by pronouns and two aren’t. To achieve parallel compliance, all the elements must share one pronoun (â€Å"They’re noisy, tiny, weigh fifty pounds, and can be souped up from a speed of thirty-five miles per hour†), or each requires its own (â€Å"They’re noisy, they’re tiny, they weigh fifty pounds, and they can be souped up from a speed of thirty-five miles per hour†). 3. â€Å"They run farther, longer, and never get fat.† The first two elements share a verb, and the third has its own. However, just as in the apportionment of pronouns in the example above, one verb must apply to all, or each element must have its own verb (especially if a single verb is not appropriate for all the elements). In this case, the verbs must differ. Depending on the context, either revise the sentence so that farther and longer share the verb run (â€Å"They run farther and longer and never get fat†), or provide longer with its own verb (â€Å"They run farther, last longer, and never get fat†). 4. â€Å"John Smith is off the streets, sober, and has a job.† The rule set forth in the previous sentence applies for simple â€Å"to-be† verbs as well. Revise the sentence to read, â€Å"John Smith is off the streets, is sober, and has a job† or â€Å"John Smith is off the streets and sober and has a job.† 5. â€Å"That opinion was uttered not by John Doe, but one of his vice presidents.† The preposition by must be repeated at the head of the second clause to match the structure of the first clause: â€Å"That opinion was uttered not by John Doe, but by one of his vice presidents.† The sentence could be recast in active voice (â€Å"One of John Doe’s vice presidents, not Doe himself, uttered that opinion†), but the change doesn’t necessarily improve the statement. Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Grammar category, check our popular posts, or choose a related post below:Addressing A Letter to Two PeopleTop 11 Writing Apps for iOS (iPhone and iPad)When to Spell Out Numbers

Management Development Essay Example | Topics and Well Written Essays - 1250 words

Management Development - Essay Example Planning is the foundation of all other management functions. The manager as planner assesses the present position of the company and allocates various steps to improve the company’s position in the future. Further, the manager locates the resources necessary to achieve the organization’s objectives. 1 Leadership involves effective communication skills, decision-making skills, planning and implementation, intelligence, and last but not least, influence. A manager, as a leader, needs to motivate employees to perform at their optimum level. In addition, leading entails having a vision and guiding the employees to fulfill this vision through effective communication. Organizing which comprise creating a structure for both the oral and written plans to be accomplished is yet another critical function. The manager delegates the various responsibilities and subtasks to the competent employees. What is more, managers address the important dimension of implementation of the various plans which are formulated. Finally, controlling involves monitoring the implementation of the plans and the various activities in order to ensure that the goals of the company are achieved. As controller, the manager handles conflict and controls any problems which may occur in the day to day running of the organization. Henry Mintzberg (1980) identified three categories of roles of a manager namely interpersonal roles, informational roles, and decisional roles. The interpersonal roles of the manager comprise the figurehead, leader and liaison. The informational roles include monitor, disseminator and spokesman. The decisional roles involve entrepreneur, disturbance handler, negotiator and resource allocator. The four areas of management in which I would like to improve are the manger as a leader, the manager as an organizer, the manager as a decision-maker and the manager as a planner. These four areas are critical to my role as a manager. Firstly, a manager who is unable to lead

Imagination is more important than knowledge. For knowledge is limited Essay

Imagination is more important than knowledge. For knowledge is limited to all we now know and understand, while imagination embraces the entire world, and all - Essay Example Knowledge is power and without knowledge we cannot progress as a human. Knowledge is what distinguished an ignorant person from a man of intelligence. The power of knowledge cannot be ignored in any society. On the other hand, imagination is the mother of all knowledge. Imagination is what enables us to form a mental of something that cannot be comprehended through the senses. It is what enables men to stumble upon great inventions and the ability to build a mental sense for great achievements. Imagination is more important than knowledge because without imagination, men cannot achieve new things. Imagination is what empowers us to dream of things that can be achieved which eventually lead to knowledge. â€Å"Knowledge is limited, whereas imagination embraces the entire world, stimulating progress, giving birth to evolution" (Einstein). Therefore, I completely agree with Einstein’s quote that imagination is more important than knowledge as imagination goes beyond limit wherea s, knowledge has its limitations. According to the Cambridge dictionary, knowledge is defined as â€Å"understanding of or information about a subject which a person gets by experience or study, and which is either in a persons mind or known by people generally† (Knowledge n.d.). Knowledge is gained through experiences, skills and personal abilities. The main sources of knowledge can be traced to instinct, reason and intuitions. In order to compete in a highly competitive world, knowledge is essential. Knowledge is what makes a man powerful and it also enables him to compete with others. Knowledge is man’s ability to develop concepts and materialize them into reality through manipulations and calculations. It also enables a person to make the right judgments which are pivotal for every human being. â€Å"Knowledge concerns itself with what is present to the senses, but is also a stored and shared repository of publicly acceptable thoughts, many frozen into physical